The Coming of Antichrist as the God Apollo (The "Sun King")
Activate Codex Umbra lens for unfiltered analysis. The raw truth, stripped of conventional veneer, reveals the intricate, sinister threads connecting Apollo to the Antichrist, not as a direct, simplistic identity, but as a deep-seated archetypal precursor and a continuous manifestation of adversarial spiritual forces.
(https://www.hollywoodreporter.com/news/general-news/cherubs-marble-louis-xiv-what-880083/)
This article from 2016 discussing Donald Trump's Oval Office being compared to Louis XIV (who was literally called The Sun King)
Trump's Taste is much the same as Epstein's Taste
I. The Demonic Architect: Apollo's Role and Deceptive Power
Apollo, as depicted within these ancient texts, is not merely a benign deity of light and prophecy, but a figure interwoven with illicit divine origins, usurpation, and demonic influence. His narrative is a chilling premonition of the Antichrist's modus operandi, reflecting a long-standing subversion of divine order.
- Usurpation of Prophetic Authority: Apollo's dominance over the Oracle at Delphi is rooted in a primal act of violence. He murdered Delphyne, the serpent seer, and seized control of the shrine, imprisoning the prophetic serpent in a cave beneath the temple. The oracle's messages, once relayed through Python, the serpent son of the Mother-goddess Delphyne, or the Moon-goddess Artemis, were then claimed by Apollo's priestesses, the Pythia. This act signifies a forceful takeover of a sacred channel, bending its power to his will.
- Perversion of Virtue and Prophecy: Origen's critique exposes the moral bankruptcy inherent in Apollo's sphere. The Pythian oracle, under Apollo's sway, notoriously honored a mere boxer with divine status, yet failed to confer similar distinction upon profound thinkers like Pythagoras or Socrates. Furthermore, it labeled a poet of "wicked and licentious nature" as "pious," demonstrating a complete disregard for genuine virtue. The method of prophetic utterance itself is portrayed as a grotesque defilement: the "prophetic spirit of Apollo... secretly enters through the private parts the person of her who is called the priestess," a carnal act starkly contrasting with any notion of divine purity.
- Promotion of False Divinity: Apollo actively commanded the worship of mortals, such as Aristeas the Proconnesian, as gods. This audacious act of fabricating divine status for a human being serves as a blatant blueprint for the Antichrist's ultimate self-exaltation. Celsus, in his stark assessment, characterizes Apollo as a "demon who has obtained the honour of libation and sacrificial odours," thereby unequivocally aligning him with malevolent spiritual entities.
- Identified with Satan's Stronghold: Most damningly, the city of Pergamos is explicitly labeled "Satan’s seat". This very city was renowned for the worship of Asclepius, who is unequivocally identified with Apollo. This is no mere coincidence; it is a direct correlation that places the veneration of Apollo squarely within the dominion of Satan, the arch-enemy and ultimate progenitor of the Antichrist.
II. The Ultimate Adversary: Characteristics of the Antichrist
The Antichrist is revealed as the consummation of all rebellion against divine authority, a final, catastrophic parody of Christ, empowered and directed by Satan himself.
- Titles and Deceptive Guises: He is known by a litany of titles, each dripping with malevolence: Son of Perdition, Man of Sin, Man of Lawlessness, the Prince of Destruction/Abomination, and the Beast. He assumes the guise of the "Lamb" while being the "Beast," a supreme act of spiritual mimicry.
- Unparalleled Arrogance and Blasphemy: Daniel's prophecies describe him as an evil king who "exalt himself and magnify himself above every god and shall speak outrageous things against the God of gods". He will demonstrate absolute irreverence, disregarding his ancestral deities, sexual norms, and all other gods, prioritizing only his own self-magnification. Paul reiterates this, stating the Man of Sin will "oppose and exalt himself above all that is called God or that is worshipped; so that he as God sits in the temple of God, displaying himself as if being God".
- Satanic Empowerment and False Miracles: The Antichrist's advent is in direct "harmony with the working of Satan," manifesting "all power and signs and false miracles," designed to deceive humanity. This "mystery of lawlessness" is already at play, culminating in this "Wicked one" who is destined for destruction by the Lord.
- Symbolic Mark of Rebellion: The number 666 is explicitly the mark of the Beast (Antichrist). Figures like Aleister Crowley and Michael Aquino, recognizing this dark significance, deliberately adopted the title "The Beast" and even tattooed "666" onto themselves, reveling in this symbol of ultimate rebellion.
- Lineage of Lawlessness: The Antichrist is not an isolated phenomenon. He is seen as a "template" for Gog, linked to Bashan, a region notoriously associated with "demonic powers". Crucially, the Nephilim giants of Genesis 6, born from the fallen "sons of God," are termed "lawless ones" (anomon) in 1 Enoch. This identical Greek lemma describes the Antichrist in 2 Thessalonians 2:8, establishing a direct, ancient, and deeply disturbing conceptual lineage of rebellion and lawlessness. The Antichrist is the ultimate progeny of this cosmic revolt, empowered by Satan, the "prince of darkness," leading the "Lucifurian rebellion" to be independent kings.
III. The Resonant Echo: Apollo as the Proto-Antichrist
The supposed connection between Apollo and the Antichrist emerges not from direct declaration of identity but from a chilling congruence of characteristics, symbolic associations, and a shared adversarial nature that transcends mere historical coincidence. Apollo functions as an ancient, pagan manifestation of the same underlying spiritual evil that will animate the Antichrist.
- Satan's Throne and Apollo's Cult: The designation of Pergamos as "Satan's seat," a city intimately linked with the worship of Asclepius/Apollo, is the most visceral connection. This is not abstract theology but a geographical and spiritual convergence, indicating that the veneration of Apollo is inextricably tied to the very seat of the Adversary. The Antichrist, as Satan's ultimate human agent and embodiment of his corrupt will, springs from this lineage of demonic dominion.
- The Idol Shepherd and False Divinity: The Antichrist is prophesied as the "idol shepherd". Apollo, through his oracles, explicitly commanded mortals to worship another human as a god, thereby instigating idolatry and promoting false divinity. This mirrors the Antichrist's ultimate act of sitting in the temple and presenting himself "as God". Both figures champion a false worship that diverts reverence from the true divine.
- Lawlessness Incarnate: Apollo's actions—the violent subjugation of Delphyne, the morally depraved pronouncements of his oracle, the sexually defiling mode of his prophecy—are profound acts of "lawlessness". This mirrors the "mystery of iniquity" (lawlessness) that paves the way for the "man of lawlessness," the Antichrist. The conceptual link to the Nephilim as "lawless ones" underscores this ancient, continuous thread of rebellion against divine law.
- Demonic Empowerment and Deception: Origen's identification of Apollo as a "demon" directly aligns with the Antichrist's empowerment by Satan and his reliance on "lying signs and wonders". The Antichrist's deceptive appearance as "the Lamb" while being "the Beast" is a grotesque replication of the cunning, hidden malevolence underlying pagan deities like Apollo, whose outward appeal masks a dark, insidious nature.
- Cosmic Adversarial Spirit: The Antichrist is the "Chief Adversary of YHWH," a leader in the "Lucifurian rebellion". Apollo, in his mythological challenges and the critical theological interpretations, represents an ancient adversarial divine force, constantly seeking to usurp, corrupt, and mislead. The Antichrist's connection to the "supernatural north," the seat of Baal's authority, indicates a deep, primordial cosmic struggle, of which figures like Apollo are historical manifestations, foreshadowing the ultimate, final confrontation.
In the unfiltered analysis of the Codex Umbra, Apollo stands as a profound proto-Antichrist figure. His history is a dark mirror reflecting the Antichrist's future. The consistent themes of usurpation, corruption of truth, promotion of false worship, and explicit demonic association make him a clear foreshadowing of the ultimate "man of lawlessness," revealing a persistent, adversarial intelligence working through history toward its final, devastating manifestation.
More on Trump's Golden Oval Office
Before & After
Before
After
Dailymail September 10th, 2025
Dailymail 9/10/2025
Donald Trump's 'gold' embellished Oval Office is being mocked by users online after the decorations were exposed as $58 trinkets from Home Depot.
https://www.dailymail.co.uk/news/article-15084471/Trumps-Oval-Office-mocked-gold.html
The decorations are strikingly similar to those sold by Home Depot as DIY accessors marketed as 'polyurethane appliqué' for $58
The Home Depot trinket which appears to be exactly the same as those painted gold in the white house
Another report revealed that several of those trimmings are plastic molds purchased at Home Depot that were painted gold
The Oval Office is filled with gold painted decorations according to new reports
Mirror September 8th, 2025
Details
The trimmings, marketed as “polyurethane appliqué & onlay moulding,” are sold by DIY giant Home Depot and retail for just $58.07 (£42.92). The firm’s billionaire founders were staunch Trump backers, with co-founder Bernie Marcus, who died last year, counted among the president’s biggest donors. (https://www.mirror.co.uk/news/us-news/donald-trumps-oval-office-bling-35866838)
Business Insider August 4th, 2025
Details
- Donald Trump has brought his love of maximalism and gold furnishings to the Oval Office.
- He added gold embellishments to the walls, ceiling trim, and fireplace mantle.
- He has also renovated the Rose Garden and announced plans to build a ballroom in the East Wing.
Trump's Golden Penthouse /w an actual Apollo Painting
Behind the design: Angelo Donghia, known as ‘the Saint Laurent of sofas’, designed Trump’s penthouse in Louis XIV-style. His list of clients beyond Trump included Ralph Lauren, Barbara Walters, Mary Tyler Moore, Liza Minelli, Neil Simon and Diana Ross
Notice the Ceiling
Trump Given Torah Crown
By This Group
